A new Live release also means updates for Push, both in standalone and controller modes. At last, that includes macro mapping and macro variations, among other enhancements.
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Gamepad Control for AbletonĀ Live unlocks gamepads for music
Those Switch Pro, PlayStation4, PlayStation5, and Xbox Xs controllers are just sitting there, waiting to be used as a music input, right? Enter Gamepad Control, the latest Max for Live invention.
Read more →Add a free video player to your Ableton Live set with modulation, FX
Videoplayer for Max for Live gives you the video clip player Ableton forgot. Add videos, trigger them like audio/MIDI clips, loop, freeze, and add effects with modulation – for free.
Read more →Playhead granular, Tuplet sequencer, Quantized Switches for Ableton Live
In a sea of complex Max for Live creations, sequencer.wtf is again a minimalist breath of fresh air. Playhead is an ultra-simple granular effect; Tuplet just makes tuplets. Quantized Switches flips the switch for any parameter based on Live’s current quantization level.
Read more →Go watch Polygonia’s videos on Ableton Operator hi-hats and more
Polygonia, aka Lindsey Wang, is expanding techno into imaginative blossoms of percussion and pattern. But she’s also doing some terrific tutorials. Where to start? A terrific breakdown of constructing high hats from scratch in Ableton’s Operator might inspire you.
Read more →Ableton has a new free guide to making better Max for Live devices
Ableton is today releasing an exhaustive free guide full of resources they’ve used internally in developing and maintaining devices. The guide has a ton of advice, so it’s a chance to benefit from Ableton’s experience.
Read more →Twelve things to try inĀ Ableton Live 12 right now
Live 12 is here – so now what? Here are twelve other ideas to try out, from timesavers to inspiration sources.
Read more →Performance Pack for Ableton Live 12 now has a video manual
Performance Pack, included with the upcoming Ableton Live 12, is capable of all sorts of feats for using Live as a performance instrument. That includes custom layouts, stored variations, looping in Arrangement, and a way of setting up arrangements on the fly. But it’s easier to see it in action than to explain – so creator Iftah has been laboring on an extensive video manual.
Read more →The Biamp MR/140 reverb used by Joy Division, as IRs and Ableton Live rack
“Known Pleasures”: the Biamp MR/140 spring reverb, best known for its use by Joy Division’s Martin Hannett on Unknown Pleasures, is now available as a series of impulse responses for any reverb and a recreation as Ableton Live device. And that’s a great excuse to talk about the production techniques behind this record.
Read more →Free TouchMe grab-and-go controller for Ableton Live now works with plug-ins
Week of Free continues: Elisabeth Homeland has updated its TouchMe freebie for Ableton Live. Grab a parameter, control it instantly with a MIDI controller – now with third-party plug-ins as well as built-in devices, plus other enhancements.
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