It’s an analog-wavetable polysynth with an expressive grid – but that only begins to describe what makes the Polyend Medusa such a unique instrument. Here’s a deep dive into this hybrid synthesizer and what it means musically.

Before modulars became a product, some of the first electronic synthesis experiments made use of test equipment – gear intended to make sound, but not necessarily musically. And now that approach is making a comeback.

Gen X and Y just got their Beatles Anthology, basically – and it’s fantastic. Radiohead remind us why we love them with nearly two gigs of demos ripped from (seriously) MiniDiscs.

Hard-hitting sub bass and percussion is the focus of SubLab, a new instrument from Future Audio Workshop. And it puts a ton of sound elements into an uncommonly friendly interface. Let’s get our hands on it.

Following nerve damage, Icelandic composer/producer/musician was unable to play the piano. With his ‘Ghost Pianos’, he gets that ability back, through intelligent custom software and mechanical pianos.

In glitching collisions of faces, percussive bolts of lightning, Lorem has ripped open machine learning’s generative powers in a new audiovisual work. Here’s the artist on what he’s doing, as he’s about to join a new inquisitive club series in Berlin.

808 day, sure. But let’s pause for 606 day – the logical anniversary of the 1982 TR-606, a drum machine squeezed inside a tiny enclosure that looks like a 303 but isn’t. It’s the lesser known runt of the Roland family, and you kind of love it for that alone.

Virtual ANS from prolific omni-platform developer Alexander Zolotov brings back spectral synthesis like it’s the mid-century USSR. But it also future-proofs that tech – full Android and iOS (plus desktop) support, and now a version that’s polyphonic and MIDI playable.

There’s a giant expensive cheese grater Mac and display and new versions of all Apple’s platforms. But what’s going on with iTunes? iPadOS? And what else might matter to musicians and visual artists? Here’s a round-up.

Many iOS music makers want to route audio between apps – just as you would in a studio. But news came this week that Apple would drop support for its own IAA (Inter-App Audio), used by apps like KORG Gadget, Animoog, and Reason Compact. What will that mean? I spoke with Audiobus’ creator to find […]