In case you missed it, Moog’s re-release of an aging red-tinted, humming copy of the original 1976 Polymoog promo is a treat. And it’s a reminder of how far we’ve come.

It’s been a decades-long wait, but now Moog have revealed a flagship polyphonic keyboard instrument – a new dream synth. It’s high-end, for sure, but it also reveals where the brand that became synonymous with synthesis sees us going next. We’ve talked to Moog to find out more on today, release day.

Ableton Live: lug along hardware, or … be forced to use a mouse or touchpad. No more: touchAble Pro continues to unlock more and more of Live’s functionality, and now it’s available across touch platforms – iOS, Android, Windows.

Oramics, the DIY collective of women and LGBTQIA artists in Poland, is evolving into an agency, bringing Polish artists to a European scene dominated by big-name acts from London and Berlin. Here are the artists to tell us why they’re doing it – and how they’re making it work.

You’re on the go. And those wonderful USB power banks will charge your phone – so why not audio gear, too? KOMA Elektronik’s new Strom Mobile makes it possible.

Think of it as the BBC Radiophonic Workshop of the east: the Polish Radio Experimental Studio produced unparalleled electronic sounds and inventions for decades. Recognition of those accomplishments is growing – and now Ableton are collaborating to produce a free pack of sounds and tell the PRES story.

What if music were made mechanically, with giant wheels and bellows and valves? The Mammoth Beat Organ makes that happen, using parts from toilets, a hearse, and a treadmill.

It’s called the Moog One but think 8- or 16-voice synth. And this is the “dream” analog synth in that it’s a luxury instrument, running up to US$7999 for the 16-voice model.

The new Logic adds multi-track Smart Tempo, and sorely needed external storage of sounds, among other improvements – and live performance-friendly MainStage syncs up with Logic’s latest instruments, effects, and features.

As the Akai APC40 was to Ableton Live, so the Akai Fire hardware controller is to FL Studio. It looks like the step sequencing grid you see when you open FL, and it was created in collaboration with Image-Line. So can it bring something new to the integrated controller world?