It’s easy to forget if we get too deep into hero worship and seriousness, but real creativity is fun and boundless. So nothing energizes like talking to people like Alan Oldham, the multidisciplinary Detroit techno artist.

Warlock of sonic invention Richard Devine is back with a new album, on Venetian Snares’ label. And from the first cut, you might be surprised.

touchAble was already the benchmark app for controlling Ableton Live from an iPad. Now touchAble Pro has been recoded from the ground up with new features like custom layouts and waveform views – and it supports iOS, Android, and Windows touch, too.

Novation are hosting live video to teach you synthesis using their range of gear today. And they’ve got some other useful resources and artist interviews (Orbital!), so let’s have a look.

That headline isn’t a mistake. If you’ve ever wanted a plug-in to f*** up your mixes, sabotage you, insult you, or “get passive aggressive,” this free collection of Max for Live Devices is for you.

For years, manufacturers have been substituting small minijack connectors for MIDI – but there wasn’t any official word on how to do that, or how to wire them. That changes now, as these space saving connections get official.

Dyktando aka Wiktor Milczarek is turning out dark, hard-hitting music and live sets that are brutally groovy. We got to join him in Sweden for our Conspiracy of Planets event – and to get a tour of his music, and the Polish scene.

Detroit’s founders of techno aren’t just cashing in on their old hits; they continue to lead the form in new directions. And watching Carl Craig, you can learn a lot about the potential of electronic music in scores and ensembles.

Reverbs can mimic real spaces (precisely or loosely), or sound like springs, or sound like thickened delays. Luminance goes somewhere else: unreal, shimmering spaces full of glimmering reflections. And it’s already taking off.

Sacha Baron Cohen’s Who Is America? continues its epic troll of US society. And since Spinal Tap predates laptop production, we instead get a Hudson Mohawke tribute to sampling.