YouTube is elevating new voices to prominence in music technology as in other fields. But the platform’s esoteric rules are also ripe for abuse – as one YouTube host claims.

Yamaha is the one giant name that has mostly shied away from revisiting its past synth glory – but all that could soon be set to change.

Techno, without all those pesky human producers? Petr Serkin’s Eternal Flow is a generative radio station – and even a portable device – able to make endless techno and deep house variations automatically.

Surge is a deep multi-engine digital soft synth – beloved, then lost, then brought back to life as an open source project. And now it’s in a beta that’s usable and powerful and ready on every OS.

The makers of the film I Dream of Wires have memorialized Mike McGrath, the legendary forum hosted and modular community builder whom we lost this week, releasing their full interview with him.

Moog has taken the elements of their semi-modular line and given it a flagship – a patchable, calico-colored keyboard with sequencer, 4-voice paraphonic synth, and effects in one keyboard.

Speaking of tools to glue together your gear and serve as the heartbeat of your studio – AUM. This iOS super-tool can serve as an essential hub for combining apps and hardware in any combination – and now it’s even more savvy with Ableton Link and MIDI.

Forget for a second that Pioneer is the CDJ and DJM company. Their latest TORAIZ goes a radical new direction – making what might be the biggest mainstream hardware sequencer since the MPC and Octatrack.

One of the largest forums for music tech nerd-kind this week reports the loss of its founder: Muff Wiggler’s creator, Mike McGrath, has died. The Internet responds.

Machine learning is synthesizing death metal. It might make your death metal radio DJ nervous – but it could also mean music software works with timbre and time in new ways. That news – plus some comical abuse of neural networks for writing genre-specific lyrics in genres like country – next.