Fresh, unexpected, unreleased music – we’re back with the regular series Post at Refuge Worldwide. This month’s special guest is Donbas, Ukraine native Moe Nagasi, our conduit to the Donbas-Berlin connection. Tune in 1pm local time (UTC+2 ) / 7am NYC time / 8pm Tokyo.

It’s the prototype that ate Chicago’s Knobcon. 4ms showed their new “Meta Module,” which lets you put patches inside a hardware module. The new module can run compatible VCV Rack patches with full hands-on and CV control. An image went viral, but without all the details. So here’s 4ms to get meta with us and explain exactly what’s going on.

It’s the no-mixer no-input-mixer. Developer Igor Vasiliev has created an experimental app that models the feedback effects of mixers and effects – and it’s capable of creating beautiful, ghostly sounds, all entirely in software.

Native Instruments has updated their Kontrol S-Series with a single big glass screen, redesigned buttons, and one big new feature – polyphonic aftertouch, for per-key expression. But those premium features will command a premium price, at $749 up to $1299 for the 88-key hammer action option.

Just when you thought the Roland TR-8S (and its little sibling, the 6S) couldn’t do any more – there’s this. Surprise: Roland’s drum machine for the rest of us just packed in new CR-78 and chromatic 808 bass models, plus a ton of new content, and a compact UI for the TR Editor. I’ve been playing with the release candidate firmware and – yes, indeed. Happy 1209 day, everybody!

Hot on the heels of Noise Engineering’s Eurorack mixer dream, we get a different approach. 1010music announces today at Knobcon that they’re bringing their bluebox mixer to Eurorack format, with quite a few extras. That means if this was closer to what you wanted in modular mixing, now you have a Eurorack-native device. CDM has both to test – but first, here’s a look at Bluebox.

You’ve probably seen Transit, the collaboration between Baby Audio and Andrew Huang, on the Interwebs and YouTubes. Well, surprise: it’s not just for massive EDM-style breakdowns or something like that. It’s an eminently tweak-able, programmable tool that lets you combine multiple effects and set them in motion. And it’s surprisingly fun to build up your own multi-effects from scratch. Let’s have a look.

Videosync 1.3 has landed. One of the better tools for integrating visuals seamlessly with Ableton Live, this version adds a new, unique method for generating and manipulating images, easy browsing of shaders for added visual effect inspiration, an intuitive new graphical Transform, and more. And there’s a Summer Sale on this week.

We’ve heard lots of promises of a revitalized post-pandemic scene, lots of talk about adapting to change, but that masks real suffering for so many artists. At last, Berlin’s upcoming Atonal promises to be something different: expanded scale, greater diversity, and energetic new ideas, just when electronic music needs it most.

“Made in Italy,” HoRNet DeeLay is just a good, simple, vintage-style digital dub delay plug-in. It runs on modern systems, too, but – with a little bit of extra effort on macOS. This deal runs today only, Tuesday September 5 Italy time; here’s how to grab it and make use of it.