Per-note expression is a beautiful thing. It’s beautiful enough that sometimes you might want to use it even without the input hardware that it was developed to facilitate. AudioSlide is here for Ableton Live, an automatic ramp generator with various shapes, time controls, mod matrix, and more.

The latest Dillon Baston creation is really special – a do-everything modulated sample player and effect. That green CRT-style display might make you assume it’s just about some glitch – and it definitely does do that if you want. But go deeper, and this is an extraordinarily versatile effect.

While speaking of developer Alexander Zolotov, aka WarmPlace (also the name of his 2005 album), here’s some rare footage of his unique tracker that came before SunVox.

The runs-on-any-OS modular music studio got a major 2.1 update this week, with better high-res graphics, a new keyboard, and more. It’s a synth. It’s a tracker. It runs on Raspberry Pi so you can make your own mobile music hardware. It’s stupidly good – and those keys make it easy to jam with on the go. SunVox is a bright music maker even in hard times.

It was once the stuff of dreams — a patchable, modular environment for sound, synthesis, music, and procedural generative audio. Now it’s free (MetaSounds) in a free game engine (Unreal Engine). You just have to learn to use it – which is why this free comprehensive tutorial series by our friend Matt Spendlove is a must.

Nonlinear Labs has unveiled a major firmware update for its expression-packed C15 “musicians, not machines” keyboard instrument. No LFOs? No problem: modulation and envelopes are now massively expanded in ways that should intrigue sound designers and keyboardists alike.

Bethlehem-founded international sound platform Radio AlHara is celebrating their collective involvement in CTM Festival with a don’t-miss program today of adventurous sonic exploration and talk. Tune in (live or we’ll add archives as available)! No FOMO, because you just don’t MO.

Amidst many granular tools out there, Scatter is nicely focused – intuitive controls plus elegant pitch modulation options. It can be a shimmer reverb as much as a granular cloud effect, marrying grain soundscapes with classic digital pitch effects.

What would electronic machines be like without our usual resources? What about sound from old screw cans and radiosensitivity, or the reclaimed science of fluidics and swirls of water? Romanian-born, Berlin-based artist Ioana Vreme Moser asks those questions in her work, today at CTM Festival, in a discussion you can catch live online.

It’s an even rounder roundtable – inside an epic planetarium dome. The latest TouchDesigner roundtable falls in a major couple of weeks for the world media art scene as it descends on Berlin for Transmediale and CTM. That means a very special edition on TouchDesigner and spatial imagery and sound.