Woodman’s Immaculate Maple Syrup Studio, the developer who brought us Woodpressor brings us a new app and audio unit v3 called WoodnGate

And now there’s another 2 new audio units from 4Pockets to add to their growing range of audio units. The new AUv3’s are a new stereo reverb, and an auto-wah

Groove Rider GR-16 1.6 is packing a hell of a punch, with a big set of new features, and of course the usual set of bug fixes and tweaks

“Expressive control” has largely translated to “wiggly keyboards” and “squishy grids,” with one notable exception – the unique, paddle-like Touché from Expressive E. And while keeping essentially the same design, they’ve gotten the price down to just US$/EUR229, making this potentially a no-brainer.

In Steinberg’s flagship mobile DAW, Cubasis 2.6 we get an unexpected integration with Roli’s Seabaord and drum grid visualisers plus a lot more besides

In a sea of synths that embrace retro vibes or big form factors, futurists and minimalist design lovers have eagerly awaited the Teenage Engineering OP-Z. And that wait is nearly over.

Forget about gear fetish: the delightful surprise behind the modular movement is that a whole bunch of people are interested in exploring weird new musical ideas. And one of the sequencer modules at the heart of it is getting a big refresh.

“Shoulder synthesizer”? “Strap-on keyboard?” No, Roland is calling their latest keytar a keytar – and giving into 80s retro vibes. And it’s a vocoder. And… you might kinda want one.

It’s Moscow’s quirkier, playful side that’s probably easiest for us foreigners to miss. But Kate Shilonosova (Kate NV) is earning an international audience for her introspective, surrealist whimsy, and one that’s well-deserved.

Roboticist, composer, and futurist Moritz Simon Geist has made an entire album using robotic machines. It’s stunning to behold – and he tells you all about how it developed. Let’s watch: