Food comas. Empty wrapping paper. Or whatever you’re celebrating, hopefully you’ve got some time off to grab a slew of free synth-y gifts available to download right now. Need a soundtrack? 1987 and Atari ST have you covered.

There are few places on Earth where you can see the state of the live light and sound industry quite like Las Vegas’ LDI show. It comes with all the usual trade show trappings, from industrial espionage and theft to insanely expensive booths (and wastebaskets). But it also provides a glimpse into opportunities for individual and DIY artists to earn money, at a time when wide swaths of the creative industries feel like they’re coming unglued. That VJ/live visual or live sound career might be worth a second look. We got an exclusive report on the ground from Colin Keerhuen for CDM.

Bonkers new filters? A Play mode everyone will actually want to use? Yeah, December isn’t done with you yet, synth fans. Meet the new Pigments 7 with Rage, Ripple, and Reverb filters, Corroder effect, improved amplitude envelopes, FM modulation on the filter, and more.

We have updated hardware classics, so why not software? Absynth’s original creator, Brian Clevinger, weighs in on what motivates his instrument creations and what strikes emotional resonance. From Native Instruments, Hannah Lockwood joins to talk about the user interface and the collaboration.

My hips are sad. These promos are not moving them; they’re squashed to hell, grooveless, and it’s about as fun to dance to as an Airbus engine drone.* I know how to solve this: N.A.A.F.I, the Mexico-based international label with its unique voice and rhythms patterned on the likes of tribal guarachero, spun by its family of producers into deeply personal bangers.

Tokyo-based startup Dreamtonics is doing unparalleled work with AI-powered voices; their Synthesizer V Studio enables a level of precision that combines that of recording and synthesis. Add that to Steinberg’s Dorico scorewriter, and you get a machine mockup of solo singers and choirs that we’ve never heard before. But there are a lot of details involved — so let’s hear from an expert.

Mix in 3D, drop in 3D objects, lighting, text, particle systems: EboSuite Sensei delivers an entirely new ecosystem of modeled 3D VJing. Powered by Unreal Engine under the hood, SenSei runs as entirely self-contained Ableton Live Devices. And the results are already impressive – even on an M1+ Mac or decent PC GPU. EboSuite had […]

The Hewlett-Packard Word Generator 8006A has become an unintentional legend of sound lovers, transforming this obscure lab equipment into a kind of instrument. So you knew that a Hainbach/AudioThing collab to produce a software version was inevitable. B00GA is available now as a macOS, Windows, or Linux plug-in, or an iOS/iPadOS AUv3 plug-in or app.

It might be a funny intersection of interests. But developer Matt Greenwood built a macOS-native clone of the legendary Winamp in Swift, MIT-licensed, with MP3 and FLAC playback and Milkdrop visualization support (including fullscreen).

For the final episode in this trilogy on learning Max for Live and Ableton DSP Objects, we’re going to keep the focus on working fast. We’ll learn how to use Ableton DSP to prototype instruments quickly, play expressively, and hack them with some tricks and mods beyond what the stock Live Instruments provide.