Developer Anton Marini, aka vade, is bringing back the legacy of Quartz Composer and proving Apple’s visual APIs are ready for real-time. Have a look—and watch what you can do with 3D Gaussian splats (if you know you know).

How much can Unreal Engine and MetaSounds accomplish? Developer/artist Matt Spendlove has built a complete open-source polysynth in it, roughly recreating the AudioKit Synth One using Unreal’s internal tools.

Ripple Phaser, the latest Minimal Audio standalone effect, breaks free of modeling vintage hardware and lets you explore varied filtering and dispersion – all the way to the extreme.

You’ve heard the Speak & Spell. You’ve heard circuit-bent Speak & Spell. But are you ready to open a Hellmouth of total destructive speech chaos based on combining those into a massively powerful groovebox?

Liquid Sky’s V4-CO and GLITHc combine into a wavetable sound design laboratory for Eurorack. The V4-CO is already multiple modules in one – and then you can hack and glitch it at a bit-by-bit level with all the goodies on the GLITHc. It’s so unique that people may not grok it right away. So let’s grok.

VCV has added a Compressor to the range of effects in the Pro version. That full range is a strong offering, but the unique flexibility of the Compressor might well put it over the top.

The founder of SOMA Laboratory announced he would participate in an event in occupied Crimea in September at a venue backed by the Russian government. That revelation has produced an outcry from Ukrainian and international musicians and cultural workers – starting with a former Mariupol resident.

Geert Bevin’s awesome, attractive, totally free, and open-source ShowMIDI has reached the 1.0 milestone, with new features and an updated video tutorial to match. If you’re looking to monitor MIDI on Mac, Windows, Linux, or iOS, your ship came in.

Live 12.1 just hit public beta, bringing more than you might expect: major Push additions, new ways of working more quickly with keyboards (and screen readers), a new Drum Sampler and pitch tracking and correction device, and more. Oh, and they finally fixed (my) single most annoying omission in Live. Here’s what’s new in Live (I’ll cover Push separately).

I was pondering what it was that bothered me so much about the Suno and Udio case. My pride as a composer? Erm, no. Fear of AI? Copy-pasting Abba lyrics, uh, not really. No, it’s something else…