Visual Smash Up from Parag K Mital on Vimeo. What happens when you distort a video with a video? It’s what artist and coder Parag K Mital calls a “visual smash up,” which he says “takes existing content and mashes it up to create new content.” Huh? Well, have a look above for an example […]
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John Cage at 100: A Celebration in Words, Listening, and Prepared Piano iPhones
“I Have Nothing to Say and I Am Saying It,” a John Cage title, might well be the creed of the blogger – doubly so this music technology writer. So, here we go again. The notion of John Cage at 100 is humbling in itself. The idea that Cage is a century old cements the […]
Read more →Music from Patch Cords, in the Studio with Jimmy Edgar and KOMA Elektronik [Create Analog Music]
Modular music may be associated with densely-layered, sometimes-indecipherable ambiences, but Jimmy Edgar weaves funk and synthesized electro-dance into songs fed by his Detroit roots. (Jimmy’s now on Hotflush, formerly Warp Records, !K7, Poker Flat) In a studio tour with boutique analog maker KOMA Elektronik, he shows off their FT-201 sequenced filter and gestural control on […]
Read more →Playing Live From a Giant, Toothy Monster Mouth: Behind the Scenes with Feed Me
Spectacular spaceship showmanship, or actually synchronizing live electronic dance music performances? For Feed Me, aka Englishman Jon Gooch, the show had to be both. Software developer Mattijs Kneppers harnessed Ableton Live, Max/MSP, and Max for Live to make it all work. You may have seen the video; Mattijs gives CDM a unique look even further […]
Read more →An Amazing Free Touch Controller for Ableton Live; How Touch is Coming Your Way
Ableton Live has a number of robust touch solutions, but a creation from Graham Comerford called Yeco takes things to another level. It’s finally a Live touch controller that provides full views of clips, unlimited parameter controls, and extras like drum pads. There are even undo and redo shortcuts. The cost: free, downloadable now. It’s […]
Read more →A Bandcamp-Only Label of the Future? Australia’s Enig’matik Records and the Art of Detail
Artists and labels alike search for a sound and a business model that can flourish in this brave, new age in music. Against that struggle, Oz’s Enig’matik is something special. We’ve got more coming with this crew, but first, CDM’s Matt Earp takes an look inside what makes this record label work with its founder, […]
Read more →Live Music Tools at the Bleeding Edge: Laura Escudé, From Herbie Hancock Collabs to Solo (Live Berlin, Sat)
It’s one thing to talk about tools. It’s quite another to put them into action, to make them withstand the rigors of creative process and idiosyncracy, let alone the torture test of touring. Laura Escudé is as deep in the trenches, on a day-to-day basis, as just about anyone on the planet. The music tech […]
Read more →Beats Bits Atoms: Fish Play with Cameras, Paint and Pixels and Light Become Sculpture
◥ BEATS, BITS, ATOMS from ◥ panGenerator on Vimeo. Call it post-digital, call it tangible. But whatever you call it, there’s new work that skirts boundaries between the sculptural and the virtual, integrating physical media in ways that surprise and delight. In the latest projects of Polish-based collective panGenerator, shown recently in a solo show […]
Read more →Touch iOS Music in a New Way: Hands-on with Cantor for Users, Inside Details for Developers
Don’t fret. An iPad can open up new ways of touching musical ideas. What if you could touch sound more directly, using sophisticated sensing to play between most common notes – even with hundreds of levels of microtonal pitch? Cantor lets you do just that – and it’s here now, proving that Apple will indeed […]
Read more →Traktor 2.5, Kontrol F1 Arrive with Live Features; Hoping for More Live DJing
Features come and features go. As upgrades go, Traktor 2.5 has plenty to recommend it – plus, it’s free for current Traktor 2 users, meaning you probably don’t need anyone’s advice to try it out. So, then, the question is: will tools mean that the DJ gigs you hear be any different? There’s nothing wrong […]
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