Motion Music Tech Web
Fragmented textures, interactive RNBO-powered video: Annie Hui-Hsin Hsieh
Composer Annie Hui-Hsin Hsieh, known for her concert outings, shifts to a lushly organic electronic album in flowing, humming, fragmented electronics for her debut album as a producer. And it comes with an interactive music video powered by Max and RNBO, so if you’re in the mood to VJ yourself, flying around some Gaussian splats, here’s your chance.
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Death dances and liberatory sounds of I Shall Sing Until My Land Is Free
What can music do against darkness? It may be our one fuel for emotions, a weapon against depressive inertia. Today, on Ukrainian Independence Day, it’s a perfect day to catch up with Ukrainian label Prostir/I Shall Sing Until My Land Is Free — especially as these platforms have been a hub for solidarity with other resistance struggles worldwide.
Wrecked Lightship talk craft, inspiration, and drifting through Drained Strands
There’s the old saw about great avant-garde jazz being “the notes you don’t play.” But crafty subversion of the usual bassy wall-of-sound is core to Wrecked Lightship’s appeal. A buzzy synth with no top line, minimal percussion, an unidentifiable bit of atmosphere – it’s apt to remind you of staring at someone snoring in the pitch dark.
HyperSplash is glitchy hyperactive fun – $3 Max for Live from MIRA新伝統
Peter Kirn - April 23, 2025
Music tech Software Tech
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