Geert Bevin’s terrific MIDI Tape Recorder precisely captures MIDI performances, including MPE, verbatim — not the slightest variation in sound. v2.0 adds a host of new features, plus a standalone version alongside the existing AUv3 plug-in. It’s low-level, direct CoreMIDI capture of what you played, exactly as you played it, with every expression intact. And it’s and open source.
Read moreExpression control is integral design feature of each component of Noisy, in each building block of the sound. And now Noisy 2.6 vastly expands the software’s sound palette — just in time to make this a worthy companion to Expressive E’s own Osmose and Osmose CE.
There’s something magical about playing sounds with polyphonic expression. It means translating sound ideas directly to your hands and improvising live, rather than having to go back and edit those ideas in later or take your hands off the keyboard to turn a knob. Here’s a look at playing the presets I made for Elastic OSC using Expressive E’s excellent Osmose keyboard.