It’s been a long time coming, but Logic Pro’s leap to the iPad is an impressive one. You get a most of the editing, mixing, instruments, and effects that you have on desktop – provided you’ve got an iPad capable of running it. And it’s a killer environment for third-party iOS plug-ins, to boot. Here’s what’s inside.
Read moreApple this month is releasing native iPadOS versions of Final Cut Pro and Logic Pro, with touch (and Pencil) interfaces, but desktop-style functionality. They’re available via subscription fee for the first time.
It’s exactly as you might expect: sample libraries are at the point of being able to convincingly recreate entire symphony orchestras, close to original recordings. Composer Simon Passmore has done that with Star Wars and Apple’s Logic Pro.
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