It has a “broken” button and an eyelid that you can blink on and off. It lets you record or set feedback to 150%. It overdubs, it loops, it — does it in opposing directions. No, it’s not another tape delay/looper. Every single setting in TapeLeap from Mudjaq, for Max for Live, is bonkers and fantastic.
Read moreFor the final episode in this trilogy on learning Max for Live and Ableton DSP Objects, we’re going to keep the focus on working fast. We’ll learn how to use Ableton DSP to prototype instruments quickly, play expressively, and hack them with some tricks and mods beyond what the stock Live Instruments provide.
You know Max for Live can help you create your own instruments and effects in Ableton Live — but you’ve got to take the first step. Max 9’s addition of ABL objects gives you a huge leg up, unlocking Ableton’s own DSP building blocks in ready-to-mod form. Let’s dive straight in, because this is both an easy entry point for absolute beginners and a toolset that’s useful to experienced patchers, too.
brings together the latest breaking news on music, technology, gear, and live visuals. Got a project, found a news tip, or want to share your product? Submit to us directly.