“I’m not particularly interested in typing prompts to make stuff, I’m interested in breaking them and dissecting them,” writes Jasper Shuoyang Zheng as he introduces Latent Terrain. Now using an intuitive, elegantly designed open-source Max external and UI, you can play the weird world of neural audio codecs like an instrument, transforming your own sounds into new textures.
Read moreThe most exciting add-on for Ableton Live this spring for me is actually not an Ableton Extension. It’s warpradius, a Max for Live device by Jon Doe One that transforms the entire grid into a single expressive percussion surface. It employs a Bessel membrane resonator model, a modal synthesis method that produces realistic, varied percussion sounds. And it’s free.
It might blur the line between VJ/animation tool and score generator. But SIGN/e lets you produce graphical scores that live inside an Ableton Live session, as abstract shapes appear and shift in time with the electronic music. And with the right players, it looks like a godsend — free, provided you can run Max for Live.