Microtonality is the big trend of the 16th century — ask NicolĂ  Vicentino

Kids today, with their 31 equal divisions of the octave. Yes, it’s the music of NicolĂ  Vicentino, a Renaissance theorist and composer who built his own microtonal harpsichord to accommodate his experimental tunings. But it’s not just a theoretical experiment: there is some connection to musical practice (even if Vicentino was basically making this up). Food for thought as we mess with digital tuning systems and microonality.”

Play together with Ableton Live, pt. 1: playing in tune

Feeling the need to make music making a little less solitary? In this multi-part series, we’ll be exploring some resources for adapting Ableton Live to playing with others — playing in tune, in sync, sharing ideas, and producing together. So let’s start as instrumental ensembles do: by tuning up.

Peter Kirn - March 31, 2026

Panel: liberating music technology for Arabic music and beyond

Against the backdrop of AL.FESTIVAL, the Berlin festival centering music from the Arabic world and diasporic communities, we gathered an expert group to discuss liberating technology from some of its Western biases and exclusionary design. Now you can listen back (and read more), with artists ABADIR and Basel Naouri plus Ableton’s Dr. Laurel Pardue, as chatter ranged from critical views of futurism to ways software can mesh with Indonesian gamelan.

Peter Kirn - October 21, 2025