Inside the new Ableton Push: all the technical details so far, from I/O to Max for Live

Peter Kirn - May 23, 2023

Gaza kids need a skate park and equipment; a powerful music compilation has come to their aid

Peter Kirn - May 15, 2023

Kitbashing, by ABADIR and Nicolò Cervello, is AV subversion of endless algorithmic scrolling

Peter Kirn - May 1, 2023

A celebration of graphic scores and process

Peter Kirn - April 13, 2023

Ryuichi Sakamoto was always a leap ahead: sounds, machines, outpouring of remembrances

David Abravanel - April 2, 2023

Waves goes subscription-only; upgrade plan renewals to end

Peter Kirn - March 27, 2023

Brahmaputra to AI: debashis sinha on practice, body, humanness, and his double release

Peter Kirn - March 23, 2023

Khabat Abas of Kurdistan-Iraq talking about cellos, bombshells, silenced stories of women

Peter Kirn - March 8, 2023

Open call: Ukraine Resistance Radio, amplifying experimental sounds and music of Ukraine

Peter Kirn - March 7, 2023

Here’s what happens when you let ChatGPT make Eurorack patches for you

Peter Kirn - March 6, 2023