One tool gives you 8-bit retro digital sound effects (“bitcrush”/decimator) with loads of extras, for kind of every platform you can imagine – and it’s free.
Music gear and software supports MIDI. Visual software supports OSC. You have a network and want to easily run MIDI over it. Sound familiar? Here’s a clever free tool (with open code you can also learn from) that acts as an essential tool.
It’s like esoteric music tech bingo: Mutable Instruments Eurorack meets just intonation meets open source meets virtualization meets microprocessor programming meets soldering.
Make no mistake – music production is attracting investors. Just weeks after announcing it was acquiring a majority stake in Native Instruments, Francisco Partners now will create a parent company for both NI and iZotope, making two of the largest names in audio software “sister companies.”
Who’s up for chance modes? Scales? Polyphonic pressure? Exploring Live 11 on Push hardware means you can get away from the screen and get your hands on some of the new stuff. Here’s how.
Everybody could use something to look forward to these days, right? How about Flying Lotus plus African samurais, mechs, and magic?
This year has kicked off with a renewed conversation about tuning in electronic music. Khyam Allami has helped ignite that interest with free online browser tools anyone can explore, plus performances showcasing them – and has been outspoken about the philosophy behind them and why they matter. Here’s a deep dive into that work.
Online festivals have often made us miss physical meetings even more, but Apotome at CTM Festival was a real bright spot of the past year. A long-running creation of composer/researcher Khyam Allami in collaboration with creative studio Counterpoint, it became a tool to explore and a platform for collaboration and expression.
For every person cut off from their vocation, their livelihood, their reason to go to work, in any industry – it’s been a tough year. But if you need some dancefloor sounds to remind you what those can sound like, today there’s a surprising bumper crop of releases.
You can’t keep a Two Voice down. The 1975 classic saw a modern reissue by its original creator a few years back. And now it’s back in production again, while also marking the return of the beloved Oberheim badge.