Inclusion and accessibility are the answer. They’re why we’re here—and they’re a way for developers to support themselves by reaching new audiences. Let’s tune in to Apple’s latest WWDC sessions on the topic, as there are notes here both within Apple’s ecosystem and for reflection across platforms.

Get hands-on control of Euclidean rhythms on Ableton Push, Push 2, Push 3, and even Push 3 standalone, with Mark Towers’ new creation for Max for Live. And wow, this is addictive–especially for generating geometric melodies and techno grooves.

The Tandy Corporation-manufactured, Radio Shack-sold TRS-80 computer debuted in 1977. But now you can now add full polyphonic MIDI support thanks to George Philipps and Michael Wessel. And it’s already transformed into a serious live instrument and production tool. Assembly cost: about $35. The TRS-80: a tool for the 2020s.

In a challenging three acts – purification, initiation, and revelation – Universe in Prayer – فَلَک در ذِکْر takes the Bohlen-Pierce scale as a starting point for an intentional “invocation of Otherness, mystery, and transcendence.” It’s the latest from friend-of-the-site Arash Azadi.

US readers, if you’re looking for deals on new gear, major retailers are all running sales. Here are a few hand-picked selections I’d be scoping out if I lived in the US. And for now, while some inventory is backordered, you can lock in pre-tariff pricing.

El Jaguar, out now, is a rhythmic excursion from sound library sameness. This toolkit from boutique house MNTRA produces a deeply customizable sound world by re-amping through the legendary Picó sound systems of Barranquilla, Colombia. It’s something new, melding Montréal synth love and afro-Caribbean percussion into a new hybrid playground for producers.

Young independent outlet Megaphone tells the story of Irtijal Festival’s impact on Beirut and Lebanon through local eyes and a compilation of the folks who made it happen. It’s a must-watch as a way of reflecting on the spaces we create for music in all parts of the world.

Today, Ahmed Muin, director of Gaza Birds Singing, rose with drones loudly buzzing in the background. The sound of bombings through the night in Gaza has been relentless, he says. But he’ll join live with the Hebron/Bethlehem Amwaj Choir in a livestream today, a second musical encounter defying violence and starvation.

GRM Tools was one of the first plug-in suites available, the product of Paris’ GRM research center. It’s always been a unique, composition-focused toolset. But I’ve seen its future, and it’s on a whole new level, allowing open-ended modulation and multichannel signal processing that’s unlike anything else.

This is the Ableton Move update we’ve been waiting for. Ableton’s compact controller/standalone now gets proper MIDI implementation and slices up samples. Plus, you get the Auto Filter from Live 12.2. That’s in addition to other recent updates. Here’s your guide to what’s new.