Teenage Engineering OP-1 field review, not a review: in the field, on an album

Andreas Roman - January 12, 2023

Finding lost intimacy and freedom, in the collaborative hacklab at CTM Festival

Peter Kirn - November 4, 2022

Kyoka is imagining new worlds, playing machines, and exploring neurology: interview

Peter Kirn - October 26, 2022

Sri Lanka – ශ්‍රී ලංකාව – benefit compilation in eerie, delicate drones and ambient sounds

Peter Kirn - September 2, 2022

MVMNTS: Vibrating, shuddering sounds from Hiro Kone x Roxy Farman benefit Pakistan relief

Peter Kirn - September 2, 2022

Lose yourself in this trippy video and Mangled Dreams – WDE x The Microgram

Peter Kirn - August 16, 2022

A five-story pyramid is backdrop for Kyiv’s music artists and queer performers

Peter Kirn - July 29, 2022

Memory Knob is an elegant phrase recorder for anything in Ableton Live, by ayrtbh

Peter Kirn - July 14, 2022

“Singing Daxophone” makes incredible eerie quasi-vocals out of an experimental instrument

Peter Kirn - July 8, 2022

GEMA is a delay pedal effect-synth that rumbles like an earthquake, by Senyawa x Squaresolid

Peter Kirn - May 25, 2022