While everyone else modulates the 70s, 80s, and even 90s, step back to the 1950s – with a complete array of test oscillators, vintage sound equipment, mixers, patching, and tape. It’s Berna3, and it’s possibly the most retro electronic music software … ever.

I’ve been playing with the LXR-02, the new digital drum synth from Erica Synths and Sonic Potions. Verdict: it’s versatile, loud, and brutally violent when it wants to be. Here are some sounds, plus more tips for LXR-02 players, and the latest on the just-out 1.2 firmware update.

Patching modular synthesis now has its own game, complete with realistic modules and actual signal routing logic puzzles. Meet indie title The Signal State, just released on Steam.

Ableton Live 11.1 is now available as a public beta free to anyone with a Live 11 license. New in this build – new tools for handling lag and adjusting MIDI and pitch/frequency shifting, plus much-awaited native M1 Apple Silicon support.

A violin can be totally transformed – and the performance with it – from ice skates to neon instruments to ventriloquists’ dummies. Laurie Anderson in this film talks about her many ingenious instrumental inventions.

Attacco’s Virtual Controller, now in beta, makes anything into a percussive MIDI controller – not just for triggers, but expression, too. And you don’t need special hardware, either.

The sacred timeline has been restored. The greatest, strangest, glitchiest, most destructive plug-ins of the early 2000s are here with 64-bit support for Mac and Windows, Apple Silicon support on Mac, and UIs that look even more horrible than before. And they’re still free.

In fragmented, alien futuristic materials, FRKTL – aka Sarah Badr – has produced another spectacular release. This project fuses her evocative sound design with increasing virtuosity in digital visuals, as generated surfaces melt into synesthesia. Sarah to me was already pushing the envelope of sound design in organic, flowing compositions, and now all the little […]

Add free, open-source visual programming on the GPU to the free-for-noncommercial-use vvvv – and get materials, lighting, effects, particles, and generative geometry. Here’s the twist: you do all of that without code or scripts, and it’s all on the GPU, live.

Transport yourself to 1983. Sure, analog emulation is all the rage. But leave it to Plogue to do bit-for-bit digital recreation – with a precise reproduction of the Yamaha 6-operator FM synth range, including the legendary DX7.