Expressive E Osmose meets Elastic OSC; playing with MPE

There’s something magical about playing sounds with polyphonic expression. It means translating sound ideas directly to your hands and improvising live, rather than having to go back and edit those ideas in later or take your hands off the keyboard to turn a knob. Here’s a look at playing the presets I made for Elastic OSC using Expressive E’s excellent Osmose keyboard.

Black Friday: pimp my Live with the best add-ons

Ableton Live 12.3 is out of beta; it’s time to liven up your Live setup (plus Ableton Move and Push and Novation Circuit Tracks). Black Friday deals have these at the lowest prices you’ll see all year, so if you’re stocking up for winter or holiday breaks, we’ve got you. These are tools to solve some problems, add some inspiration, and even just make your Live setup look better.

Peter Kirn - November 28, 2025

Live 12.3 final is here: what’s new that isn’t Splice or stems

Ableton Live 12.3 is here, and that means built-in Splice support, stem separation, and… uh… well, there was the tremolo thing… and… need a guide? We’ve got you. Here are the rest of the best features to try in 12.3 (and Push 2.3 with Live 12.3), at a glance.

Peter Kirn - November 25, 2025

Push:Cue Mode turns Warp Markers into launchable cue points

Peter Kirn - November 7, 2025

Mute on your Push like it’s an Elektron — Push:Mute Mode

Peter Kirn - September 10, 2025

Ableton Live 12.3: Stems, Splice, more Bounce, Auto Pan-Tremolo, and more

Peter Kirn - September 2, 2025

Happy birthday, Isotonik: here are some of the best Ableton Live add-ons

Peter Kirn - August 28, 2025

Way more than acid: pay-if-you-can Sting 2 is instant inspiration

Peter Kirn - July 7, 2025

Push:Euclidean Mode brings generative grooves to Ableton hardware

Peter Kirn - June 5, 2025